Publications
Dwell, L’Actualitie, The Advocate, The Kitchen Sink, The Big Ugly Review, Sneaky Little Sister Films, Looq Records, The Surfinary
I like using things that are often ignored, the discards or the seconds. The showboat or the lead gets tired quickly - the wallflowers have had more work and so have more interesting content. There is the impossibility of owning anything, other people being the least possible. The 'captured moment' , the photographer as hunter, I mean what does one have really? Emulsion, some effects of light, some plastic. And yet there is something.
So what is the work? The imprint left by the thing that was gone as soon as I pressed the shutter. What is left is what I made up. I like how stories change depending on where you decide to put something. The work can get very dark but I don't feel like a dark person."